Antilegacy of John XXIII – johnxxiii.antichurch.org

Antipopes of the Antichurch

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Traditional Catholic priest in a Scandinavian church holding Apostolici muneris decree, symbolizing the subversion of the Faith by the conciliar revolution.

Apostolici muneris (1960.03.01)

The document issued under the name of John XXIII on 1 March 1960, entitled “Apostolici muneris,” decrees the erection of an Apostolic Delegation in “Scandia” with residence in Copenhagen and jurisdiction over Norway, Sweden, Denmark, Finland, and Iceland. In solemn legal Latin, it claims to serve the propagation and consolidation of the Christian name and the unity with the so‑called See of Peter by means of a diplomatic-ecclesiastical structure for Northern Europe.

Archbishop of Milan in traditional robes standing in front of the Ambrosian Library with a historic manuscript.

Religio bonaeque (1960.03.16)

In this brief Latin rescript of 16 March 1960, John XXIII appoints the Archbishop of Milan for the time being as Patron of the Ambrosian Library (Bibliotheca Ambrosiana), praising Cardinal Federico Borromeo’s foundation as a center for religion and the fine arts, lauding its service to “Christian society and the republic of letters,” and solemnly confirming juridically that the reigning Archbishop of Milan shall perpetually hold this patronal role, with the usual clauses of validity, perpetuity, and nullity of contrary acts.
This seemingly innocuous juridical act, however, already manifests the mindset of the conciliar usurper: the reduction of the Church’s mission to cultured humanism, the exploitation of genuine Catholic heritage to legitimize a nascent counter-church, and the quiet replacement of supernatural categories with aesthetic and academic rhetoric.

Medieval church of St. Dominic in Arezzo with Gothic-Romanesque architecture and Cimabue crucifix, reflecting conciliar era usurpation.

Praeclarissimum Ecclesiae (1960.04.07)

The document attributed to John XXIII grants the parish church of St. Dominic in Arezzo the title and juridical privileges of a minor basilica, praising its medieval architecture, its artistic treasures (notably the crucified Christ by Cimabue), its historical connection with Innocent V, and the liturgical and vocational work of the Dominican community; in doing so, it clothes a purely aesthetic and administrative act with a counterfeit apostolic authority, manifesting the deeper usurpation whereby the conciliar revolution adorns itself with the forms of Tradition while poisoning their substance.

St. Vincent de Paul in prayer before a mission church in Madagascar, symbolizing his patronage over the diocese of Aris Delphini.

Studio inflammatus (1960.04.07)

Studio inflammatus is a short Latin act issued by John XXIII on 7 April 1960, in which he designates St Vincent de Paul as the principal heavenly patron of the diocese of Aris Delphini (in Madagascar), invoking Vincent’s zeal for the propagation of the Kingdom of God and granting the corresponding liturgical honors and privileges to that local church.

Varia

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Antipope John XXIII
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